by Chris Senelgov
| Published
Recently, the last Star Trek movie appeared, but may not have noticed it. After all, it was released directly to Paramount+ instead of theaters. In addition, this was originally supposed to be a TV series before it turned into a movie, so the film always felt like a type of cold Mary to keep the concession alive after the sudden cancellation of both of them discovery and The lower floors. I had a bad feeling about this film since its announcement, and these feelings are now verified: with a header of 24 percent, Section 31 It is officially Star Trek in all ages.
Star Trek is gone
Section 31 It contains a plot that looks as if every bad idea was placed in a mixer and turned into an hour and forty minutes of pure slope. Empress Georgio must work again with Section 31, this time to stop the villain from the mirror world who wants to kill everyone in the main universe. She does this with a selective team that feels as if it was extracted from bad Science fiction Theft movie, but the only thing these men steal is the time you can spend watching a better movie.
on discoveryTiley was once “the strength of mathematics”, talking about numbers, very easy to know how Section 31 It does not add when compared to other films in the concession. 24 percent Spoiled tomatoes The result, this new movie barely before Star Trek V: The Final LimitsIt has a 23 percent embarrassment. For context, The final boundaries It is the most famous film in the concession. One where Captain Kerk God fights between climbing mountains and asking important questions such as, “What does God need with a heroism?”
Tiring plot
As for the details of what makes Section 31 Very bad, let's start with the plot. It comes to “let's stop by way of destroying the galaxy.” This is just about what is all Calvness The film was caught, which reduces the privilege based on the importance of communication and exploration into a plot of “Kill the Bad Guy, Save the Day”. Frankly, this repeated conspiracy was the worst part of Kelvis's films, but it was established by a charming and attractive crew. Unfortunately, Section 31 not.
Certainly, the Oscar -winning Michelle Yuh is doing her best with the terrible materials that have been given, but it is functionally impossible to avoid comparing the terrible writing of Section 31 With the ideal writing of Everything everywhere once. We have seen what you can do when giving it an excellent text, and the text of the last text program for the entire Star Trek movie terrible. This looks like a tremendous waste of Yeoh's talents even because the movie itself looks like a full waste of the possibility of telling stories for this privilege.
Other team members Section 31 They made their best, but they impeded them with weak description … that is, almost all of them feel that they are half -baked characters from a Starfinder Campaign with the most vulnerable Star Trek Etisalat. There is an increase, Deltan, and even Rachel Garrett, the future leader of the Foundation C.
End this Star Trek era
in spite of discovery spin off Starflet Academy Corner or lower, Section 31 It looks like the end of an era, which reduces the controversial insistence of making the section 31 large parts of a plot. From the beginning, many fans hated the idea of section 31 in full because it does not make sense for Starfleet Hippies to have their Wetworks section.
Now, we get full film Focusing on the most moral and outward group in the union, and watching Paramont Go to something that fans hate instead of giving us more of what we love looks like a borrowing of the current Star Trek. While I enjoyed some of discovery And both The lower floorsIt was clear that the privilege was in a very long -term cycle now, especially with the abolition of these two symptoms prematurely. Unfortunately, Section 31 It confirms that we have reached the end of a spiral. Star Trek Mitt, Jim.
Unlike SpookThere may be someone who left someone who cares enough to return this privilege to life.
