27 December 2024

From the British Library archives, a painting of the Virgin and Child from 1630 influenced by Islamic artFrom the British Library archives

This 17th-century painting combines Islamic motifs with Renaissance-style artwork

The birth of Jesus Christ – a poignant biblical event – has been the subject of many paintings by Western artists, who often applied the ideas of beauty and creativity prevalent there while depicting the event on canvas.

These works are among the most widely available representations of Christian art, shaping how the world views this biblical event and stripping those outside the West of its influence.

But over the centuries, artists in India have sought to express their vision of this event by depicting the birth of Jesus and other Christian themes in their own style.

Some have done so consciously, others unconsciously, but the end result is a body of work that breathes new life and meaning into the event of Christ's birth, and into Christianity itself.

Below are some paintings from Indian art history that showcase the birth of Jesus from a unique local perspective.

The Mughal Emperor Muhammad Jalaluddin Akbar is credited with introducing northern India to Christianity by inviting Jesuit missionaries to visit his court.

Missionaries brought with them European scriptures and works of art on Christian themes which influenced court painters. Akbar and his successors also commissioned many murals with Christian themes and some court painters began to infuse these paintings with elements of Islamic art.

Neha Virmani, a historian of South Asia, talks about a painting by Mughal court artists that shows Emperor Jahangir in a nativity scene, which traditionally depicts Mary, Joseph and the baby Jesus.

“Mughal rulers saw themselves as 'just' rulers capable of maintaining harmony and balance in their kingdoms; they were 'universal rulers'. Allowing different religions to coexist was integral to the way they viewed themselves and wanted to be remembered,” says Ms Virmani.

The 18th-century painting below features stylistic elements typical of Mughal art, including highly stylized forms, vibrant colours, naturalism and ornamentation.

Curators of the British Museum Mary wears a blue abaya and a purple dress, sitting on the balcony holding the baby Jesus, surrounded by female attendants carrying various bowls and plates. Tree and building with red and green curtains in the background. Decorative colorful floral border.Trustees of the British Museum

18th century Mughal style painting of the Virgin and Child

From the British Library archives, a painting of the Virgin and Child dating back to 1630From the British Library archives

Painting of the Virgin and Child from 1630 with influences of Islamic art

Born in 1887 in what is now West Bengal, India, Jamini Roy is known for creating a unique visual language by combining elements of Bengali folk art with Kalighat paintings – a distinctive art form that originated near a famous temple in Kolkata. .

Ashish Anand, CEO and managing director of art firm DAG, says art critic W.G. Archer once remarked that Christ is represented by Gamini Roy's Santhal (Santhal is an Indian tribal group) character.

He says: “The simplicity of Christ's life and sacrifice impressed Roy, making his paintings on Christian themes no less important than those on Hindu mythology, all presented in the popular style of modernism that he made distinctively his own.”

Image Courtesy: DAG Painting of Mary with Child Jesus by Jamini RoyPhoto courtesy: Dag

1950s tempera on canvas of Madonna and Child by Jamini Roy

Image Courtesy: DAG Madonna with Jesus and the Magi by Jamini RoyPhoto courtesy: Dag

Madonna with Jesus and the Magi by Gamini Roy

Born in 1902 in the western state of Goa, Angelo De Fonseca is credited with creating unique Christian iconography that combines Eastern and Western influences with his own Goan sensibilities.

In his paintings, Mary is not depicted as a beautiful maiden in a blue dress, but looks very much like a brown-skinned Indian woman, dressed in a sari and wearing a mangalsutra (a piece of traditional Indian jewelry worn by married Hindu women). ).

Biblical scenes unfold in local settings and feature motifs and elements that speak to an Indian audience.

Through his art, he tried to confront the narrative of the West as the cradle of beauty and artistic creativity.

“Fonseca wanted to place Christianity—which was largely seen as a Western religious tradition—within the Indian subcontinent. It is from this concern that his watercolors draw Christianity anew,” said Reynald D'Souza, director of the Xavier Center for Historical Research. Goa told the BBC.

Xavier Center for Historical Research, Goa Watercolor on paper of Mary and the Child JesusXavier Center for Historical Research, Goa

Watercolor on paper, 1952, by Angelo da Fonseca

Xavier Center for Historical Research, Goa Oil on canvas of Mary with baby JesusXavier Center for Historical Research, Goa

A 1942 oil on canvas painting titled “Mother” by Angelo da Fonseca

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